A SPECIAL exhibition is set to celebrate the life and work of the illustrator of the original James Bond book covers.
This summer, Salisbury Museum, on the eve of the release of the 25th Bond movie No Time to Die, will feature the life and work of writer, illustrator and teacher Richard Chopping.
Chopping, who died in 2008 was best-known for illustrating the original book covers for James Bond.
He was a master of the trompe-l'oeil technique, producing highly realistic three-dimensional images. It was this distinctive style that led him to be commissioned by Ian Fleming to illustrate nine of the James Bond book covers from 1957 to 1966.
'A totally brilliant artist'
The exhibition looks at his entire output, positioning his work for Fleming firmly within the context of his 40-year career.
It will feature some of the original working drawings for the books, including the striking skull design for Goldfinger – one of Chopping’s personal favourites, and a commission that had been declined by his former friend Lucien Freud.
The designs for the Bond covers were an instant success, leading Fleming to describe Chopping as "a totally brilliant artistic collaborator!"
The work overshadowed his other achievements as an author and skilled illustrator of natural history and children's books.
Chopping was also a well-respected teacher at Colchester School of Art in the 1950s and the Royal College of Art from 1961 until 1983.
Highlights from his early years include his illustrations for Butterflies in Britain (1943) and the collection of children’s short stories Mr Postlethwaite's Reindeer (1945).
There are also delicate wild flower drawings, prepared for an ambitious 22 volume series on British wild flowers by Penguin, which was abandoned due to spiralling costs.
In 1965 Chopping published his first novel, The Fly, which was a success despite being described by one reviewer as a "just about the most unpleasant book of the year".
The cover design mirrors its content – showing a fly drinking at the rim of the staring eye of the dead lead character.
The image looked part of the James Bond family which helped with the novel’s popularity.
The original design and preparatory studies can be seen in the exhibition.
The exhibition is formed out of Chopping’s personal archive which, on his death, was passed to former student and close friend Jon Lys Turner.
Turner has documented the life of Chopping in his biography The Visitors Book (2016), and some more personal items from the archive will be included in the exhibition.
And with many works which have never previously been displayed, this exhibition will be a genuine treasure-trove for the Chopping cognoscenti and for those discovering his work for the first time.
They reveal a talented artist whose work should perhaps be as well-known as the fictional spy he helped make famous.
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