LES MISÉRABLES, MAYFLOWER THEATRE, SOUTHAMPTON

WHETHER you are a Les Misérables virgin or a fanatical follower, it’s impossible not to be impressed by Cameron Mackintosh’s 25th anniversary production of the world’s longest-running musical.

Having never seen the show before I was very excited to catch it at the Mayflower, and it did not disappoint, sweeping me along with its tale of forgiveness, love and sacrifice from start to finish.

John Owen-Jones turns in an amazing performance as Jean Valjean, a man haunted by his past, and he works brilliantly opposite Earl Carpenter’s portrayal of the obsessive Inspector Javert.

Both men’s vocal ability is incredible and their renditions of the show’s well-known songs are powerful and heartfelt.

Rosalind James is a soulful Éponine and engages well with the audience, particularly during On My Own, which she gave a more contemporary feel. As for Gareth Gates as student Marius, I never thought there’d be a day I could say Gareth Gates made me cry, but Empty Chairs at Empty Tables had tears streaming down my cheeks and he held his own amidst a company of incredible singers.

Madalena Alberto’s Fantine was poignant and Toby Prynne is a star in the making judging by his performance as cheeky street-wise urchin Gavroche.

Ashley Artus and Lynne Wilmot brought some much needed comedy moments to this dark tale as the grasping Thénardiers, and their performance of Master of the House was one of my favourite songs, done with perfect comic timing and using the set to create a visual spectacular.

The sets throughout the show are ingenious, with the use of CGI backdrops giving the scenes depth and creating a cinematic feel to the show.

I left the theatre feeling emotional and in utter awe of the entire cast and the show as a whole. It’s difficult to put into words just how good this show is, so if you can get hold of tickets go and see it for yourself.

Corey Ross

* Les Misérables runs until Saturday, September 11.